Friday, January 31, 2020

U.S. Social Identity Group and Business paper and presentation Essay

U.S. Social Identity Group and Business paper and presentation - Essay Example For them, stereotypes have been part of their culture since prehistoric days in which slavery was the norm. This paper explores some stereotypes held against Africa Americans and the effect they present on organizational behavior and productivity. Both Americans and other cultural subgroups in United States geographical areas hold stereotypes against African Americans. Largely, since White people were slave owners before the abolishment of slavery, they are the main culprits of such stereotypes. For instance, slaves were perceptibly happy and ignorant people who were ready to serve their masters. According to their White masters, they were lazy people who needed supervision from their masters in order to work productively. Of all minority groups in America, African Americans endure the worst forms of prejudice (U.S. Equal Employment Opportunity Commission, 2010). They may fail to enjoy economic and social advantages such as lower employment rates and lower remuneration. Stereotypes affect organizational behavior and productivity in negative ways. The stereotype that African Americans require supervision to show efficiency in the workplace is misguided. It affects organizational behavior because some employees may endure victimization owing to generalization. The probable psychological effects of stereotypes on African Americans may reduce their ambition and honesty to feedback. Eventually, they may fail to demonstrate productivity because of morale issues and uncoordinated efforts at the workplace. Negative expectations and stereotypes have an unconstructive effect on performance levels (Bridges, 2008). For instance, if a stereotype advocates African Americans as less intelligent and with poor work ethic, then some Black employees who are naturally intelligent may fail to realize their work potential and become less productive. In addition, an organization may fail to employ African Americans in managerial or senior positions

Thursday, January 23, 2020

Silas Marner: The Effect of Choice :: Character Analysis, Godfrey Cass, Eppie, Molly

3,847,295 dominoes were toppled on November 15, 2002 breaking the world record according to The Guiness Book of World Reocords. When dominos are placed in a line, standing on end, and one is pushed over, a chain reaction begins and the dominos fall as each is pushed over by its neighbor. Similarly, actions people take in life influence others and the domino effect continues. Silas Marner shows that each person’s choices affect themselves and others. First, Godfrey Cass makes unsound decisions and causes problems for people. Initially, Godfrey secretly marries Molly; he would have been better off if he had married her in the open or had not married her at all. Dunstan uses Godfrey’s marriage to threaten him and says, â€Å"‘I might tell the Squire how his handsome son [is] married to a nice young woman, Molly Farren and [is] very unhappy because he [can’t] live with his drunken wife’†(24). Godfrey’s disgraceful marriage was a bad decision. Later, Molly is unhappy about their marriage because Godfrey resides in his fine house while she dwells in a dingy, small room. Molly hated that â€Å"her husband would be smiling and smiled upon, hiding her existence in the darkest corner of his heart† (108). Then, many years after Molly succumbs to her drug addiction, Godfrey unwisely decides to try to adopt his daughter Eppie who grew up with Silas. When Godfrey breaks the news to Eppie that h e is her father, she â€Å"turns quite pale† (171) and replies, â€Å"But I can’t leave my father† (170). She is shocked that Godfrey had neglected her all of her life. It would have been nobler of Godfrey to claim Eppie as his own and reveal his marriage, but he was afraid of losing his reputation. Godfrey’s decision to marry Molly and not to claim Eppie creates turmoil in Raveloe. Additionally, Molly’s choices eventually bring Eppie to Silas, and Eppie makes decisions that make her happy. Molly sets off on her way to the Red House: â€Å"The journey on New Year’s Eve was a premeditated act of vengeance which she had kept in her heart† (108). Molly is unhappy because of her opium addiction and her marriage. When Molly collapses from the drugs, â€Å"The little one, rising on its legs, [toddles] through the snow†¦[toddles] on to the open door of Silas Marner’s cottage and right up to the warm hearth† (110). Because Molly yields to her addiction, Eppie is placed in the hands of Silas who raises Eppie happily.

Wednesday, January 15, 2020

“Fools Tell All They Know” or The Wisdom of Feste in Shakespeare’s Twelfth Night

Almost all of Shakespeare's plays have a clown character. Clowns were popular and amusing, and were simple characters that the lower class audience members could relate to, amidst all the royal people plays were populated with. But the clowns in Shakespeare's plays served a dual purpose. Not only were they sources of comedy, but also sources of truth. Wisdom and advice are imparted through the lines of these figures of fun. The clowns reflected the true nature or intentions of the other, more â€Å"noble characters. They also foreshadow coming events. One of the most striking examples of this type of clown is the character of Feste in Twelfth Night. Feste dispenses advice and exposes truths to most of the major characters of the play. Though he is only a fool, he seems to be the only character in the play that truly has his wits about him. Feste mirrors each of the main characters, revealing facets of their respective dispositions. He often shares knowledge about other characters of which they were not aware. For example, Feste is most closely related to Olivia. She is his patron and calls upon him to amuse her. But Feste does not entertain in the standard way of a clown. He realizes that Olivia is not in control of her emotions when it comes to love, and that she lacks control over her subordinates. He says, in an aside, â€Å"Wit, an't be thy will, put me into good fooling! Those wits that think they have thee do very oft prove fools And I that am sure I lack thee may pass for a wise man. For what say Quinapalus? -‘Better a witty fool than a foolish wit.†' (1.5.29-31) Feste knows what is going on with Olivia's predicament with Orsino, but still plays the fool. He expresses his feelings of apprehension for Olivia and her supposed wisdom. Feste thinks Olivia's actions are silly, and is not afraid to tell her so in indirect ways. When Olivia gets tired of Feste's obscure advice, she tells her attendants to take away the fool, and Feste returns, â€Å"The lady bade take the fool away, therefore I say again/take her away . . . I wear not motley in my brain/good madonna give me leave to prove you a fool† (1.5.45-6, 49-51). He continues by asking Olivia why she mourns for the loss of her brother. If she believes his souls to be in heaven, as she does, then there is no reason for sorrow. Feste uses a sort of quirky pragmatism to try and show Olivia how silly she is being, but is does not work, because Olivia refuses to think of his advice as anything but the ramblings of a fool. Though Feste does seem, in some ways, to be very educated no one takes his suggestions seriously. Feste is the only character in the play that crosses into every world. He is privy to the secrets of Countess Olivia, he sings to and foretells the fate of Orsino, he guides Viola and Sebastian, Feste also ventures into the tavern world of Sir Toby, Sir Andrew, Fabian and Maria. Olivia bids him to enter this world by asking him to look after her kinsman, Sir Toby, who is a â€Å"drowned man,† that is to say, drowned with drink. Feste takes a lighter view of Sir Toby stat of mind by saying he is mad with drink claiming, â€Å"He is but mad yet, Madonna, and the fool shall look to the madman. In the context of the play, Sir Toby plays more the part of the classic fool than Feste. He is merely a comic figure with no more depth to him than that of the stock drunkard. Feste is the genius of the play, but is not noble, and so does not really fit in anywhere. Sir Toby and Sir Andrew treat Feste as both a friend and a servant, paying him to sing, but requesting his company and help i n their practical jokes. Feste reveals his foreknowledge about events to come in his song to Sir Toby, O mistress mine, where are you roaming? O stay and hear, your true love's coming That can sing both high and low Trip no further pretty sweeting Journey's end in Lover's meeting Every wise man's son doth know.† (2.3.36-40) Feste reveals to these two drunkards the plot of the entire play. Of course, they do not understand and simply praise Feste's singing ability, but, nevertheless, he has revealed his wisdom and knowledge about the other characters. Later in the play, they request that Feste dress up as a wise man to fool Malvolio into thinking he has lost his wits. Feste humbly obliges and does so, playing the part willingly and well. Shakespeare's characters love to disguise themselves; this theme is often important to the plot of his comedies, but in this case, the disguise takes an ironic turn. Feste, in dressing up as a wise man, reveals his true nature instead of concealing it. Though this scene is meant to be played for bald comedic value, the audience gets a glimpse of the true nature of the clown. Truly, though, Feste does not seem very interested in the torment of Malvolio, and ultimately provides him with means to resolve his unfair predicament. â€Å"Look then to be well edified when the f ool delivers the madman,† Feste says as he reads the letter that leads to Malvolio's release from captivity. Feste is also aware of the fate that will befall Orsino. He is welcome3d to the music-loving court at Orsino's home, perhaps because he belongs to Olivia, and in this way, at least, Orsino can feel he has some sort of relationship with her. Feste quickly sees through Orsino's melancholy and wishes, Now the melancholy god protect thee, and the tailor make thy doublet of changeable taffeta, for thy mind is a very opal. I would have men of such constancy put to sea, that their business might be everything, and their intent everywhere, for that's it that always makes a good voyage of nothing.† (2.4.72-6) Feste knows exactly what Orsino is feeling, how his relationship with Olivia is shaping up, and what his final result will be. Orsino is fickle and shallow and Feste knows it. When Orsino and Feste meet again later in the play, Feste is resentful of his patronage, wishing â€Å"the worse for his friends,† then calling Orsino his friend (5.1.10,22). Clearly, like the audience, Feste does not care for the Duke Orsino. Feste reveals his wisdom most clearly in his conversations with Viola. Though he refers to her as â€Å"sir,† he does so in a sarcastic way, as if he knows her secret. Viola also forces Feste to consider his own circumstances, and he meditates, â€Å"A sentence is but a chev'ril glove to a good wit-how quickly the wrong side may be turned outward,† and Viola counters with, â€Å"Nay, that's certain. They that dally nicely with words may quickly make them wanton,† (3.1.10-14). Since Feste is an actor, Shakespeare is playing with the meaning of these lines in one of his favorite ways, by reminding the audience they are watching a play. These two are certainly the most charming characters of the play and their dialogue reveals as much. Both know a little about the other's true nature, and are not afraid to share their knowledge with each other. Feste prefers Viola (as Cesario) to Orsino as a suitor for his mistress, and so tries to help win her, and mistakenly, Sebastian, to Olivia's favor. Feste seems to grow tired of his fool's role in the play. By Act three he declares, â€Å"Words are grown so false, I am lost to make reason with them,† (3.1.22-3). He has an air of resignation in his lines towards the end of the play, ultimately leading up to his final epilogue. This song chronicles his life, in a melancholy way, ending with, † But that's all one, our play is done/ And we'll strive to please you every day.† Feste's final words are riddled with melancholy; he is doomed to always play the fool, to never be free of the constraints of the play. As a fool, Feste has all the necessary qualities: singing, impersonation, joke-telling. But, as a character, he is much more than a jester. He is the key to Twelfth Night. He gives the play depth and substance that other comedies do not contain. He weaves all the worlds of the play together with witty words and melancholy ballads. Feste is the binding element in an otherwise contrived and ordinary play.

Tuesday, January 7, 2020

Financial Analysis The Nursing Shortage - 1719 Words

Financial Analysis The nursing shortage in the health care setting, can affect the quality of care and the overall outcome of the patient’s health. Hospital’s having lower numbers in nursing staff can have an adverse effect on the organizations. This can result in higher incidences of hospital acquired pneumonia, urinary tract infections, decubitus and falls with injuries. The acuity level of the patient’s entering the hospital continues to rise because there are a lot of patient’s delaying to seek prompt medical attention. As these things occurs, the skills and amount of the nursing staff need to be ready and available for the patient’s as they entered into the health care setting. Although inadequate nursing staff can have an adverse effect on the patient, this can also have a financial impact on the organization. After conducting an interview with two co-workers, an analysis will discussed concerning the financial problems identified within th e organization. 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